Conclave
发表于 2025-3-26 23:55:03
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抛射物
发表于 2025-3-27 03:11:05
Pradeep Kumar Yadav,Anita Singh,S. B. Agrawaltegory and those who are outside it. I start with considering the cultural uses of three plays which fall naturally into a group, since they all feature outsiders, characters marginalised from the societies in which they live. Many of the texts I discuss in this section were written before the Secon
incision
发表于 2025-3-27 05:25:25
Dwaipayan Sinha,Pramod Kumar Tandon interrupts with ‘Yes, yes, yes. Don’t quote now, Roderick, or somebody may think you’re a detective’ (28). In a much later Alleyn novel, ., Alleyn responds to his wife’s attempt to tell him something with, ‘., .’, and she says, ‘Rory! Don’t be a detective’ (514). Both quotations are of course from
Morphine
发表于 2025-3-27 10:41:26
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Digest
发表于 2025-3-27 17:35:00
rean’ individuals, groups and communities and their ‘online’ presence, the book explores the role of popular internet culture in the ongoing adaptation of Shakespeare’s plays and his general cultural standing. The description of certain performers as ‘Shakespearean’ is a ubiquitous but often throwaw
Cpap155
发表于 2025-3-27 18:35:41
Amit K. Mishra,Jaswant Singh,Pratyush Pingita Mishrahat will do justice to this complex, hybrid play, with its strikingly original fusion of victory and defeat, heroism and cowardice, celebration and satire, romantic wooing and sexually transmitted diseases, prelates and princes, conscientious soldiers and camp-followers, scavengers and thieves. One
sigmoid-colon
发表于 2025-3-28 00:49:24
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Congregate
发表于 2025-3-28 06:06:48
Jyoti Mathur,Priti Chauhanhat will do justice to this complex, hybrid play, with its strikingly original fusion of victory and defeat, heroism and cowardice, celebration and satire, romantic wooing and sexually transmitted diseases, prelates and princes, conscientious soldiers and camp-followers, scavengers and thieves. One
tendinitis
发表于 2025-3-28 07:11:49
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Ligament
发表于 2025-3-28 12:33:07
Harmanjit Kaur,Sofi Javed Hussain been represented and reworked through popular music?. Do all types of popular music represent Shakespeare in the same ways? And how do the links between Shakespeare and popular music complicate what we think we know about Shakespeare, and popular music? During this research I came across a 1977 dis