外貌
发表于 2025-3-23 11:55:49
Irony and Overidentification,examples, alongside the work of contemporary artists whose work utilises subversive performance in similar ways, we develop a more nuanced understanding of overidentification than the one commonly associated with its artistic application by proponents like the Yes Men or Santiago Sierra.
欺骗手段
发表于 2025-3-23 17:01:05
Conclusion,to retain efficacy, artistic critique needs to incorporate an overidentification with the author precisely as a function of power. Rather than thinking about authorship as something that is captured and commodified by institutions, the author must be understood as the ideological core of art institutions.
联想
发表于 2025-3-23 18:28:04
Introduction,”. In .. Translated by Donald Nicholson-Smith. London: Rebel Press, 1994, 190–203.) Does everyone need to participate in art, or buy it? Should everyone be able to? And once we have established these or other goals, would a constant revolutionary drive be necessary to keep them vital and relevant or
cognizant
发表于 2025-3-24 00:34:03
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objection
发表于 2025-3-24 05:01:28
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CRACK
发表于 2025-3-24 09:03:47
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可卡
发表于 2025-3-24 13:04:34
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overrule
发表于 2025-3-24 18:44:54
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ingestion
发表于 2025-3-24 22:14:48
ions of post-Fordist labour for critical art practice.A time.Contemporary art relies on an expansionist, modernist ideal and still progresses through a critique of earlier forms of democratisation. But beneath this democratic drive, lurks a creeping crisis. Under neoliberalism, criticality has becom
臭名昭著
发表于 2025-3-25 02:56:33
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