MELON
发表于 2025-3-25 05:41:58
cast Sarah Bartmann, already an iconic symbol of the exploited and dispossessed Khoesan, as a national figure of healing and homecoming, as her body “traversed… the imperial stage of the early nineteenth century to the nation-building theatre of the transitional era” (2007, 85).
fulcrum
发表于 2025-3-25 09:57:45
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Muffle
发表于 2025-3-25 12:21:48
David Cairns,Marine Sargsyanal improvements necessary for future researches of cell-assembly coding are discussed. They include an unique technique of spike-sorting with independent component analysis and theories of sparse coding by distributed overlapped assemblies and coincidence detection as a role of individual neurons to
GLIB
发表于 2025-3-25 18:21:33
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JIBE
发表于 2025-3-25 20:51:32
David Cairns,Marine Sargsyann-verbal and verbal quantity information, independent of sensory modality, symbolic notation or cognitive status. Numerical rank irrespective of the sensory properties of objects is encoded by neurons in the lateral prefrontal cortex of monkeys. Neurons that encode the ordinal position of task-relat
吃掉
发表于 2025-3-26 01:00:00
David Cairns,Marine Sargsyann-verbal and verbal quantity information, independent of sensory modality, symbolic notation or cognitive status. Numerical rank irrespective of the sensory properties of objects is encoded by neurons in the lateral prefrontal cortex of monkeys. Neurons that encode the ordinal position of task-relat
Spinal-Tap
发表于 2025-3-26 08:06:28
David Cairns,Marine Sargsyan a population of activities remains unresolved. However, functional interactions among neighboring neurons representing different information and dynamic modulation of these interactions depending on the context of the trial could be a mechanism of this process.
GEST
发表于 2025-3-26 09:36:18
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Glower
发表于 2025-3-26 13:48:17
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鄙视
发表于 2025-3-26 20:08:37
David Cairns,Marine Sargsyanct between the government of Egypt and the Louvre concerning the return of fragments of ancient Egyptian frescos. The thrust of the article was twofold: to examine the value of “plundered art and antiquities” and the conflicts their contested ownership created. Baartman appears as number four on the