Kidnap
发表于 2025-3-23 12:09:08
Introducing the , Art of Resistance,le ways people use imagination to reconfigure those barriers and create meaningful spaces. We will look at walls that have become an arena for contentious dialogues through which social and political resistance is manifest.
死亡率
发表于 2025-3-23 16:15:43
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一美元
发表于 2025-3-23 21:55:02
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amphibian
发表于 2025-3-24 01:54:47
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有毒
发表于 2025-3-24 05:22:34
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milligram
发表于 2025-3-24 07:44:31
Inventive ReXistence: Notes on Brazil Graffiti and City Tensionke dislocations in the ways of seeing and living, to disturb people’s indifferences in their relations with the city. These aspects are discussed in this chapter with the analysis of some graffiti works that were produced by Brazilian artists in different cities of Brazil.
SPASM
发表于 2025-3-24 12:57:40
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Contend
发表于 2025-3-24 18:44:00
Representations of Resistance: Ironic Iconography in a Southern Mexican Social Movementproduced during and since the events of 2006, when the . (Popular Assembly of the Peoples of Oaxaca, or APPO) social movement emerged following a violent dislodging of the striking Local 22 members, reify the power of public art as a critical form of resistance that contests and challenges the status quo.
Working-Memory
发表于 2025-3-24 19:06:07
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他日关税重重
发表于 2025-3-25 01:28:22
The Aesthetics of Social Movements in Spaincases: Platform for People Affected by Mortgages (PAH), Invisibles, and “We Are Not Crime.” Three types of subjectivization are developed as a consequence of interrupting the dominant order in specific settings (i.e., the streets as public spaces): the part which has no justice, the part which has no visibility, and the part which has no voice.