Protein 发表于 2025-3-23 11:47:52
http://reply.papertrans.cn/88/8795/879490/879490_11.png书法 发表于 2025-3-23 16:46:47
Havana: Going Public, No Matter What,controlled by the regime. Yet lately, in a changing context following the attempt to “update” the socialist model, some artists have dared to take to the streets and paint more or less subversive messages. The relative tolerance of the regime regarding some cultural activities, balanced by fierce re偶然 发表于 2025-3-23 21:25:05
,Conclusion: Street Art and Democracy—Lessons Learned,across cases, and offers two theoretical contributions to the existing literature on deliberative democracy. One has to do with the variety of urban citizenships that can foster democracy. The other refers to collaborative governance as context sensitive. Agency and context are somewhat neglected byterazosin 发表于 2025-3-24 00:46:19
,São Paulo: ,’ Public Scream of Hate,ice in January 2017. He declared war on the ., a local and endemic form of aggressive tags expressing the rage of disenfranchised young dwellers of São Paulo’s periphery. This most similar case to Bogotá allows a better assessment of the importance of distinct forms of expression, since . is absent from Colombia.opinionated 发表于 2025-3-24 05:36:30
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http://reply.papertrans.cn/88/8795/879490/879490_16.png杠杆 发表于 2025-3-24 10:59:44
,Valparaíso: A Tale of Murals, Tags and World Heritage, and offsetting the decline of port activities. Meanwhile, they criminalized tags and graffiti. The election of a young leftist mayor in 2016 made reconsidering this policy possible, even if an environment of distrust casts a shadow on future collaborations.冷淡周边 发表于 2025-3-24 18:25:53
Analytical Framework,es and conditions for a democratic interaction between artists and authorities to be set in motion. It also includes a typology of the different forms of interaction that have been observed and that are not necessarily democratic.debris 发表于 2025-3-24 21:35:03
http://reply.papertrans.cn/88/8795/879490/879490_19.pngExpand 发表于 2025-3-25 00:49:09
Havana: Going Public, No Matter What,the streets and paint more or less subversive messages. The relative tolerance of the regime regarding some cultural activities, balanced by fierce repression, allows our hypothesis regarding street-level democracy to be tested in a very adverse political environment.