keloid
发表于 2025-3-26 21:35:21
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阐释
发表于 2025-3-27 02:26:50
Clive Sutton. Her notion of parody as both legitimizing and subverting its subject (see . 101) as well as her interpretation of historiographic metafiction as a tool to understand the past “through its contextualized remains” . 20) prove to be useful to access Woody Allen’s work. By analyzing the “formation of
神化怪物
发表于 2025-3-27 06:16:11
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不妥协
发表于 2025-3-27 12:52:45
ture allowing behavioral flexibility in everyday life. Bernstein (1967) emphasized the necessity of solving the . by answering the question of how the nervous system chooses a specific action from many possible actions each time the goal is reached. Bernstein formulated the problem in biomechanical
Costume
发表于 2025-3-27 14:27:06
Clive Suttonture allowing behavioral flexibility in everyday life. Bernstein (1967) emphasized the necessity of solving the . by answering the question of how the nervous system chooses a specific action from many possible actions each time the goal is reached. Bernstein formulated the problem in biomechanical
SPURN
发表于 2025-3-27 18:53:14
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Hyperopia
发表于 2025-3-28 00:16:31
Clive Suttonce, “Cate Blanchett Finds Humor”; Corliss; Dargis; Papamichael; Schwarzbaum). Allen denies having appropriated Williams’s play or, for that matter, the Bernie Madoff scandal; instead, he claims that a story told by his wife triggered the screenplay’s central idea (Itzkoff; Shoard). While the work of
Diatribe
发表于 2025-3-28 02:27:46
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项目
发表于 2025-3-28 08:47:03
Clive Suttontapestry that is the life of neurotic writer Harry Block. This film powerfully exudes the sense of referentiality that habitually forms an integral portion of Allen’s work, with the referentiality here being a fundamental component of both the narrative and the formal filmmaking process. This work w
使声音降低
发表于 2025-3-28 10:32:16
Clive Suttonce, “Cate Blanchett Finds Humor”; Corliss; Dargis; Papamichael; Schwarzbaum). Allen denies having appropriated Williams’s play or, for that matter, the Bernie Madoff scandal; instead, he claims that a story told by his wife triggered the screenplay’s central idea (Itzkoff; Shoard). While the work of