insidious 发表于 2025-3-26 22:14:13
http://reply.papertrans.cn/88/8774/877387/877387_31.pngBANAL 发表于 2025-3-27 03:36:03
http://reply.papertrans.cn/88/8774/877387/877387_32.pnglethal 发表于 2025-3-27 08:38:56
Teiji Nishiotion inevitably differ from those that characterize the racializing discourses of later centuries. We must, therefore, account for the texts’ particular and idiosyncratic ways of perceiving, representing, and discussing the kinds of social phenomena that present-day political science, sociology, and气候 发表于 2025-3-27 11:01:57
http://reply.papertrans.cn/88/8774/877387/877387_34.png自然环境 发表于 2025-3-27 17:17:12
http://reply.papertrans.cn/88/8774/877387/877387_35.pngCOM 发表于 2025-3-27 20:20:43
http://reply.papertrans.cn/88/8774/877387/877387_36.pngglowing 发表于 2025-3-27 23:48:19
Shuichi Ozawaome,” and, of course, “Bend It Like Guinevere,” to name but a few. But in the following excursus, I would like to offer with less levity an exploration of the film’s construction of the Middle Ages, focusing on the complexities of portraying the diverse ethnic groups of the period. I argue that althAffirm 发表于 2025-3-28 05:30:56
http://reply.papertrans.cn/88/8774/877387/877387_38.pngNEX 发表于 2025-3-28 08:29:57
http://reply.papertrans.cn/88/8774/877387/877387_39.png来就得意 发表于 2025-3-28 11:43:32
http://reply.papertrans.cn/88/8774/877387/877387_40.png