–FER 发表于 2025-3-23 13:19:05
Tanja Eisnertionship between franchises, fans and texts. Here one can observe how the ‘Disney curriculum’ (Sandlin/Garlen Sandlin, Jennifer A./Julie C. Garlen (2016): Introduction. Feeling Disney, Buying Disney, Being Disney. In: Disney, Culture, and Curriculum, eds. id. New York , 1–26) can also be appRALES 发表于 2025-3-23 16:46:29
Tanja Eisnerge, ‘we’re not separate from nature, we’re part of it.’ This chapter focuses on the ambiguous nature of Disneynature documentaries, which create ‘assemblage’-like spaces where on the one hand animals develop their own agency at their own pace, and on the other are treated to classic anthropocentric词汇记忆方法 发表于 2025-3-23 21:53:51
Tanja Eisnertionship between franchises, fans and texts. Here one can observe how the ‘Disney curriculum’ (Sandlin/Garlen Sandlin, Jennifer A./Julie C. Garlen (2016): Introduction. Feeling Disney, Buying Disney, Being Disney. In: Disney, Culture, and Curriculum, eds. id. New York , 1–26) can also be app诱骗 发表于 2025-3-24 01:31:55
Tanja Eisneric point of view, these have not been researched closely enough. Spain appears to be a particularly instructive subject for contrastive studies: the country was hit hard by the banking crisis. The refugee crisis, though, had fewer effects. In contrast, Spain has to deal with the Catalonia crisis. It手铐 发表于 2025-3-24 05:53:06
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Tanja Eisnerown agency? These are the questions that have been raised ever since Harriet Ritvo announced the animal turn in 2007, in which she called for a new perspective on the past and present of human/non-human relations. At first sight Disney’s animal documentaries, produced and distributed by the Disneynahardheaded 发表于 2025-3-25 00:05:07
Tanja Eisneral devices that both reflect and shape cultures. Disney, too, has sought very early to physically integrate its ‘magic kingdom’ into the world and minds of its consumers, as is most evident in its various parks and resorts but also in its cookbooks. The cookbooks not only reproduce Disney’s iconogra