instructive 发表于 2025-3-23 13:40:40
http://reply.papertrans.cn/88/8748/874793/874793_11.pngmurmur 发表于 2025-3-23 14:24:02
http://reply.papertrans.cn/88/8748/874793/874793_12.png走调 发表于 2025-3-23 18:44:19
http://reply.papertrans.cn/88/8748/874793/874793_13.png防御 发表于 2025-3-23 22:54:44
http://reply.papertrans.cn/88/8748/874793/874793_14.pngneoplasm 发表于 2025-3-24 02:59:46
http://reply.papertrans.cn/88/8748/874793/874793_15.png顾客 发表于 2025-3-24 08:18:48
http://reply.papertrans.cn/88/8748/874793/874793_16.pngALTER 发表于 2025-3-24 11:21:46
http://reply.papertrans.cn/88/8748/874793/874793_17.png使成核 发表于 2025-3-24 16:17:56
http://reply.papertrans.cn/88/8748/874793/874793_18.pngFatten 发表于 2025-3-24 20:25:44
http://reply.papertrans.cn/88/8748/874793/874793_19.png小口啜饮 发表于 2025-3-25 03:04:23
Lei Shi,Yang Gao,Jian Wang,Shijie Sun,Limei Chen,Weiran Xiangn approaches, needs examination. Immateriality and mutability, two qualities considered to be unique to contemporary artworks of unconventional object ontology, are also features of old objects and artefacts, especially when considered in their original contexts. The chapter argues that the perceive