可扩大
发表于 2025-3-21 16:10:21
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Deject
发表于 2025-3-21 23:43:51
The Transcription of Speech Prosody,ecording in the 19th century, it was not possible to hear exactly the same sound more than once. This simple fact applied equally to music and to speech. It was of course always possible for a speaker, or a musician, to repeat his utterance or performance, but the repetition relied crucially on the
碎片
发表于 2025-3-22 02:58:30
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小平面
发表于 2025-3-22 07:31:50
Modelling Speech Melody,he Netherlands (’t Hart et al., 1990) (“the Dutch school”), to develop a model of the way in which pitch is perceived. This was done by stylising raw fundamental frequency patterns as a sequence of straight lines, such that when the stylised frequency is used to resynthesise the utterance, the resul
朝圣者
发表于 2025-3-22 10:04:14
Interpreting Speech Prosody, this chapter, I concentrate essentially on my own work in this area and do not attempt to give anything like an exhaustive account of work on the interpretation of speech prosody in other frameworks, although a number of references provide links to other approaches to this topic.
Instantaneous
发表于 2025-3-22 14:07:03
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全面
发表于 2025-3-22 18:28:07
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PON
发表于 2025-3-23 00:06:09
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良心
发表于 2025-3-23 01:45:13
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香料
发表于 2025-3-23 08:45:59
2197-8700 roach with detailed descriptions of how to analyse prosody, .This book presents the author‘s personal overview of Speech Prosody, and in particular the different areas in which he has been especially interested over the last few decades. These include the acoustics of speech prosody, prosodic transc