痛苦一生
发表于 2025-3-25 04:25:46
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troponins
发表于 2025-3-25 09:13:49
Interlude 3: The Poetic Map, Vocalizedgure of voice a lyric I/eye that is multiple and is at once placed and displaced, content to use whatever language suits the experiential moment of perception and articulation. The poem is short, but its final lines are spread over two pages. The literal space of the page and the extended breathing
PAEAN
发表于 2025-3-25 14:13:19
Economies of Poetic Production: The Poetry of Thomas Kinsella(1858). Kinsella uses selections from Morris’s poem to diagnose a “verbal excess,” which “dissipates in slackness” (.: 10) as characteristic of the poem as a whole. Through this criticism, Kinsella implicitly questions what he calls Morris’ “established reputation, [. his] place in literary history”
禁止,切断
发表于 2025-3-25 17:15:41
Landscapes of the Body: The Poetry of Kathleen Jamietly linked to our future aesthetic engagement and appreciation. As Michel Serres remarks, the point at which linguistic articulation becomes a possibility, “the unity of the aesthetic field is undone,” and must thence be remade. Language is the dream of the flesh, and it is what the body moves towar
浓缩
发表于 2025-3-25 23:53:33
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制定
发表于 2025-3-26 03:15:55
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在驾驶
发表于 2025-3-26 05:00:41
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Gossamer
发表于 2025-3-26 10:14:33
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Tracheotomy
发表于 2025-3-26 14:07:38
2578-9694 he inherently spatial and affective nature of our engagement with poetry. Adding to the expanding field of geocritical studies, Yeung specifically discusses ideas of space and constructions of voice in poetry.978-1-349-50404-6978-1-137-47827-6Series ISSN 2578-9694 Series E-ISSN 2634-5188
Palpate
发表于 2025-3-26 18:14:21
Of Passage and Process: Alice Oswald’s , and continual experience, which creates and defines its own passage in relation to itself, and finds coherence in the scattered nature of its ., that we can see articulated powerfully in Alice Oswald’s river-poem ..