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Reproducing Inequality and Representing Diversity: The Politics of Gender in Superhero Comics,ty, and ability. As with positions of power across various political, economic, and social institutions, certain demographic groups have been overrepresented while those from more marginalized groups have been underrepresented and stereotyped. Female superheroes exemplify this underrepresentation anmastopexy 发表于 2025-3-29 01:29:04
Gendered Violence and Structures of Power. Reclaiming the Victim Narrative in the Netflix Show M, Jarginalisation of female characters, Netflix’ decision for a show focusing on the struggles of a female protagonist is complementary to the dominating narrative of the male superhero. Furthermore, showrunner Melissa Rosenberg chose to adapt only one of the comic books’ story arc, albeit expanded ove本能 发表于 2025-3-29 06:44:43
Spider-Analogues: The Unmarking and Unmasking of White Male Superheroism, . (2014–2015). The fact that a primary Spider-Man is regarded as a fictional figure with a core set of immutable characteristics—a semiotic grounding point—allows the Spider-Man analogues to explore a range of social positions without jeopardizing the primary identity of the character. In particulaoptional 发表于 2025-3-29 10:38:11
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Dis/ability and Hybridity: The Bodies of Charles Burns, prime example of how the interplay of mise-en-scène from the American film noir and the school of surrealism addresses the issue of increasingly altered body images as well as their standing in society in the medium of comics. Burns’ tendency to use the human body as a vehicle for criticizing socie反对 发表于 2025-3-30 05:28:28
,The Binary Comics of a Non-binary Artist: How Vaughn Bodé’s Identity Structured His Art, descriptions of himself. A closer look at his work reveals one of his lesser known sides: his multi-faceted identity. Bodé’s comics appear to have inherent dichotomies concerning their formal and diegetic aspects, but they nevertheless constitute a cohesive whole. This can be understood as a reflec