间接
发表于 2025-3-25 06:52:50
Ralph Ballweg,Andreas Ohndorf,Franck ChatelJ. Vinken and George W. Bruyn.) However, the information selected for inclusion in this volume of the Oklahoma Notes series remains true to the goal of the whole series-only materials vital in both the general clinical practice of medicine and to answer questions on the all-important United States M
esoteric
发表于 2025-3-25 09:03:26
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CLAP
发表于 2025-3-25 14:41:42
Thomas Uhlig,Gerd Söllnertory and conduct premiers by Gustav Mahler, Arnold Schönberg, and Claude Debussy. Gustave Doret, the conductor who had debuted Debussy’s Impressionist tone poem . (1894), played music for her London opening and wrote admiringly of her “most extraordinary and faithful translations of rhythm and music
单调性
发表于 2025-3-25 19:19:27
enth century had become one of the most important ways of talking about music. The idea of musical over-stimulation of the nervous system was the basis of a whole discourse in literature, music criticism and psychiatry that saw music as a potential threat. This chapter seeks to demonstrate that the
Generalize
发表于 2025-3-25 23:09:35
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含糊
发表于 2025-3-26 00:10:19
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过多
发表于 2025-3-26 06:38:10
Amanuel Gedae later, Phelps initiated a correspondence with the eminent neurologist Silas Weir Mitchell in which they discussed their mutual interest in medical fiction, and Phelps challenged Mitchell by advocating for women physicians and a homeopathic treatment of neurological illnesses. Phelps’s feminist and
Living-Will
发表于 2025-3-26 11:13:09
Markus Hobsch,Michael Schmidhubertory and conduct premiers by Gustav Mahler, Arnold Schönberg, and Claude Debussy. Gustave Doret, the conductor who had debuted Debussy’s Impressionist tone poem . (1894), played music for her London opening and wrote admiringly of her “most extraordinary and faithful translations of rhythm and music
的’
发表于 2025-3-26 15:13:57
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人充满活力
发表于 2025-3-26 17:19:05
Michael Kirschnerlvements that was previously so smoothly clear for human attention, forcing it against the grain of habitual perception. For Heidegger, then, the gap left by the broken hammer revealed something that was normally so transparent that it hid its character; it demonstrated that the human subject was ne