MAIM
发表于 2025-3-23 10:04:19
Anna Batoriso by treatment with fragments of these peptide hormones that lack the classic endocrine activity of the parent hormone. Also, in intact animals it was found that learning and memory processes can be modulated by peptides related to ACTH or .-LPH (de Wied, 1969; de Wied .., 1978a). Based on such obs
兽群
发表于 2025-3-23 15:27:06
Anna Batorinized into four major sections which focus on: (i) the role of pituitary hormones in the regulation of CNS function; (ii) the relationship between brain endorphin systems, psychotropic drugs and neuroendocrine regulation; (iii) the importance of neuroendocrine regulation in the pathogenesis of menta
连累
发表于 2025-3-23 20:35:55
Anna BatoriIS), who have a 46 XY karyotype but a female phenotype due to complete androgen resistance, suggesting that these sex differences most likely reflect androgen action, although feminizing effects of estrogens or female-typical socialization cannot be ruled out. By contrast, some male-typical neural c
Glossy
发表于 2025-3-23 23:54:30
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虚假
发表于 2025-3-24 03:24:50
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破译
发表于 2025-3-24 07:22:24
The Cinema of Cristi Puiu,This chapter discusses the implicit remembrance demonstrated by vertical enclosure in Cristi Puiu’s . (., 2001), . (., 2004), . (2010) and . (., 2005).
吞下
发表于 2025-3-24 12:26:34
The Cinema of Corneliu Porumboiu,This chapter provides a spatial reading of Corneliu Porumboiu’s . (., 2004), . (., 2006) and . (., 2008).
Celiac-Plexus
发表于 2025-3-24 16:53:48
Horizontal Enclosure in the Post-socialist Cinema of Hungary,This chapter examines the de-colonised national spaces of Hungary and the circular aesthetics that have been inherited by the country’s post-socialist cinema. While establishing the patterns of horizontal enclosure, the chapter gives special focus to Béla Tarr’s . (., 1994), which is analysed within the films of the so-called Black Series.
提名
发表于 2025-3-24 22:23:09
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防锈
发表于 2025-3-25 02:06:16
Conclusion,This chapter summarises the filmic forms of explicit remembrance in Hungarian and Romanian cinema while proposing further textual research using the two aesthetic categories—horizontal and vertical enclosure—outlined in the book.