Harness 发表于 2025-3-25 03:58:23
http://reply.papertrans.cn/88/8722/872170/872170_21.png跳脱衣舞的人 发表于 2025-3-25 10:42:05
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Occupying Literary and Urban Space: Adiga, Authenticity and the Politics of Socio-economic Critiquearacterization as ‘utterly cartoonish, like the characters in a bad Bollywood melodrama’, and finds Adiga’s ‘presentation of ordinary people […] not only trite but offensive’ (Kumar 2008). Kumar’s objection is Adiga’s apparent assumption that he can ‘authentically’ represent the inner thoughts of a杀菌剂 发表于 2025-3-25 20:00:12
Contemporary Indian Commercial Fiction in Englishpendent and international publishers with ‘Indian-English literature’—particularly fiction—has taken place. In this regard the current phase of development can be traced back to the independent publisher Ravi Dayal’s (established 1988) success with Amitav Ghosh’s . (1988) and to the setting up of PeModerate 发表于 2025-3-26 02:05:05
Genre Fiction of New India: Post-millennial Configurations of Crick Lit, Chick Lit and Crime Writingiting, detective fiction, narratives referred to as ‘mythology’ as well as young, urban India storylines. The identity of Indian fiction in English has changed significantly and also relatively quickly in the last 15 years. This change can be explained in part by a rise in commercial Indian fictionProphylaxis 发表于 2025-3-26 05:38:17
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http://reply.papertrans.cn/88/8722/872170/872170_29.png发源 发表于 2025-3-26 17:15:23
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