你太谦虚 发表于 2025-3-21 18:43:40
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Heteronomy and Necessity: How Architects Design for Architectural Competitionsultural production. This chapter proposes an alternative reading based on two ethnographies of architectural firms. Firstly, the high degrees of autonomy characteristic of competitions constitute a practical problem. Accordingly, the design process is oriented towards the reconstruction of heteronomAtmosphere 发表于 2025-3-22 04:20:47
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Cultural Creation in Culinary Fields: The Cases of New York and San Franciscoizational studies of the corporate and technology worlds, each emphasizing different social forces at work. However, fields are more likely to combine characteristics of both areas than is typically acknowledged. They are therefore likely to have different risks, pressures, and incentives and, in tuotic-capsule 发表于 2025-3-22 11:52:16
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Habitus in Dance: The Social and Artistic Skills of a Rehearsalical concepts of focused interaction , intersubjectivity , and habitus (Bourdieu, 1979) explain artistic practices in its context of production. These concepts overcome an individualistic take on creativity. I present a vantiquated 发表于 2025-3-22 17:10:08
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: Generating the Recorded Rock Album Formulathe interactions between technological developments—the magnetic tape or the electrification of instruments—changes in the organizational structures of the music industry—the new roles of musicians, engineers or producers—and the emergence of new symbolic and sound content—above all, the concept offlourish 发表于 2025-3-23 01:41:47
Concrete Materialities: Architectural Surfaces and the Cultural Sociology of Modernity architectural material surfaces—such as glass, steel and most centrally concrete—as a means of rethinking modernity. Existing cultural and architectural histories of concrete are examined before an analysis is offered of the material’s contingent social, political and other meanings. The latter parmenopause 发表于 2025-3-23 06:38:00
The Literary Classic and the Underappreciated Significance of Indexical Expressions traces how the patterns of meaningfulness that indexical expressions create over time and across space contribute to the emergence of a literary classic. Contrary to ethnomethodologists’ claims, my research on literary classics reveals that the properties of indexical expressions in literature can