Culpable
发表于 2025-3-23 11:11:26
Ian Heywooddeville’s reputation as a knowledgeable observer of preternatural phenomena, and in England the reputation of the . as a popular book of marvels exceeded its reception as a pilgrimage guide.. The very ubiquity of the rapidly proliferating text among Europe’s later medieval courts, and the fascinatin
Boycott
发表于 2025-3-23 17:07:00
Ian Heywooddeville’s reputation as a knowledgeable observer of preternatural phenomena, and in England the reputation of the . as a popular book of marvels exceeded its reception as a pilgrimage guide.. The very ubiquity of the rapidly proliferating text among Europe’s later medieval courts, and the fascinatin
异常
发表于 2025-3-23 18:50:02
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Bravura
发表于 2025-3-24 00:28:24
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Enzyme
发表于 2025-3-24 04:54:25
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强制令
发表于 2025-3-24 08:55:30
Ian Heywood a facet of publishing which the world of arts and letters seldom considered worthy of notice. ‘Boys Weeklies’ was an analysis of popular culture that sparked a lively debate. The author pointed out that this was a type of fantasy literature that boys of all classes read at some point in their lives
石墨
发表于 2025-3-24 13:26:02
Ian Heywoodturous and arrogant. Although some examples of his type persisted, Edwardian heroes tended to reside lower on the social scale. Pit boys, engine-drivers and factory lads began to find their likenesses held up as examples of heroic manliness. The very definition of manly behaviour was therefore chang
削减
发表于 2025-3-24 17:41:29
Ian Heywood in the fabulous east, the geography of marvels. King Alexander was driven to plumb ocean depths and scrape the skies at the end of the world in his Dædelian pursuit of marvels, but even works with more earthbound protagonists could cast manmade marvels in complex roles. It might seem too obvious at
induct
发表于 2025-3-24 21:41:29
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Euthyroid
发表于 2025-3-25 02:24:53
Pragmatism, Individuation and Totalisation,cts for a modern liberal society of the deconstructive efforts of ‘edifying’ theorists, which are directed against the tendency of all practical agreements to become fixed, and so to confine and limit human creativity or, in his terminology, the open ‘conversation’ of (ideal) human existence.