黑豹 发表于 2025-3-25 03:24:55

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Collision 发表于 2025-3-25 08:12:02

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Visual-Acuity 发表于 2025-3-25 12:33:00

Playing with Boys: Homoeroticism and All-Male Companies in Shakespearean Dramas to the hegemonic pressures of heterosexuality. The Local Government Act of 1988 is an instance of this state-sponsored oppression of ‘deviant’ sexualities. Under Section 28 of the act, a local authority may not ‘intentionally promote homosexuality or publish material with the intention of promotin

Confess 发表于 2025-3-25 19:28:22

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jagged 发表于 2025-3-25 23:01:49

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空洞 发表于 2025-3-26 00:13:11

Dreaming Drama and Dramatising Dreams: Towards a Reading of Sexuality in ,opes that Olivia has not fallen for her: ‘Poor lady, she were better love a dream’ (II. ii. 24) and even the profoundly prosaic Malvolio has fantasies, as Toby tells Maria, ‘thou hast put him in such a dream that when the image of it leaves him he must run mad’ (II. v. 173).

Antarctic 发表于 2025-3-26 04:41:00

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Magisterial 发表于 2025-3-26 08:34:47

Book 1995t, until now, critics have been reluctant to recognise this potential. With reference to particular productions, backed up by illustrations, Peter J. Smith integrates critical understanding of the plays with evidence of their political impact on stage.

字形刻痕 发表于 2025-3-26 14:25:21

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Initial 发表于 2025-3-26 17:27:05

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查看完整版本: Titlebook: Social Shakespeare; Aspects of Renaissan Peter J. Smith Book 1995 Peter J. Smith 1995 Renaissance.stage.William Shakespeare