伸展
发表于 2025-3-25 06:30:09
Book 2023cally assesses heterogeneous audiovisual practices and subaltern agents, elucidating existing tensions, contradictions and resistances with respect to established cinematic norms. The reason these small cinematic sectors are of interest is twofold: first, the film markets of the aforementioned count
思想灵活
发表于 2025-3-25 08:22:31
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Meditative
发表于 2025-3-25 12:21:05
Technological Appropriation and Audiovisual Sovereignty in an Indigenous Keycategories of indigeneity and visuality. It discusses the appropriations of the technological repertoires of the Arhuaco, Kogui, Wiwa, Embera, Makuna and Nasa peoples and the demands for audiovisual sovereignty articulated by national Indigenous organizations.
刺耳
发表于 2025-3-25 17:31:01
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江湖骗子
发表于 2025-3-25 23:55:23
Notes Toward a History of Amateur Filmmaking in Guayaquilprofessional film formats. Likewise, the chapter looks at amateur film in relation to national identity politics and proposes that these films and filmmakers extend past national borders and connect Ecuador to film practices and artistic explorations in other parts of the world.
放牧
发表于 2025-3-26 00:43:35
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Outmoded
发表于 2025-3-26 04:33:18
Book 2023ries are often eclipsed by the filmmaking giants of Mexico, Brazil and Argentina; second, within the Andean countries these small cinemas are overshadowed by film board-backed cinemas whose products are largely designed for international film festivals..
Dungeon
发表于 2025-3-26 08:56:07
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绿州
发表于 2025-3-26 16:03:00
Recovering One’s Own Voice to Redefine What is Visible, Desirable and Possible: La Escuela Audiovisu of dominant cinemas. It reflects on the affective and political potentialities of the autobiographical documentary made in the community, which activates changes in the ways one looks, in order to build cinemas tailored to the needs and wishes of its makers.
commute
发表于 2025-3-26 17:01:18
Rethinking Subaltern “Modernities:” ,, 1994–2015ve notion of ., which took form during the Liberal Revolution (1895–1920). The author’s examination of various Chonewood films demonstrates that they are complex, multivalent texts through which local subjectivities of the Ecuadorian negotiated and reimagined.