clarify
发表于 2025-3-25 04:19:09
Single-input single-output sliding mode control, the previously discussed . of sliding mode control theory and illustrate, through several design examples mainly drawn from the switched power electronics area, the use and features of this important control design methodology.
bacteria
发表于 2025-3-25 11:19:35
978-3-319-35685-3Springer International Publishing Switzerland 2015
cinder
发表于 2025-3-25 13:19:11
Sliding Mode Control978-3-319-17257-6Series ISSN 2373-7719 Series E-ISSN 2373-7727
MODE
发表于 2025-3-25 17:24:03
Delta-Sigma Modulation, theoretical basis of sliding mode control, is found in the classical book by Steele and in the excellent book by Norsworthy . . A rather complete and informative survey on Delta-Sigma modulation, rich in tutorial material and perspectives, may be found in Reiss .
Restenosis
发表于 2025-3-25 20:31:17
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MAL
发表于 2025-3-26 02:22:57
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chastise
发表于 2025-3-26 05:59:28
th century and early nineteenth century. It examines the depiction of the child both in moral series, such as William Hogarth’s . (1732), and in popular political prints. This chapter explores the extent to which the approved discourse of parental indulgence in domestic portraiture and the discourse
发誓放弃
发表于 2025-3-26 09:02:11
Hebertt Sira-Ramírezth century and early nineteenth century. It examines the depiction of the child both in moral series, such as William Hogarth’s . (1732), and in popular political prints. This chapter explores the extent to which the approved discourse of parental indulgence in domestic portraiture and the discourse
Adulate
发表于 2025-3-26 12:49:38
Hebertt Sira-Ramírezr before being able to reunite with her father. In Jane Austen’s . (1814), Fanny is adopted into the Bertram household by her aunts; when she returns to her nuclear family, she realizes that she no longer feels at home there and returns to the Bertram’s. These well-known heroines’ shifting familial
Epithelium
发表于 2025-3-26 19:19:21
Hebertt Sira-Ramírez highlight child players regularly playing disparate versions of themselves. The resulting tension and overlap between performer and performance of childhood also obscures the boundary between childhood and adulthood. Instead of fixing player status as child, in contrast to the adult roles they play