保守党 发表于 2025-3-26 22:37:40
http://reply.papertrans.cn/87/8680/867998/867998_31.png截断 发表于 2025-3-27 03:12:03
http://reply.papertrans.cn/87/8680/867998/867998_32.pnggimmick 发表于 2025-3-27 07:41:15
http://reply.papertrans.cn/87/8680/867998/867998_33.png阐释 发表于 2025-3-27 11:05:33
Elisabeth von Heyking: China Through the Eyes of a Female Aristocrate traditional sense of entitlement and superiority associated with the aristocracy. In contrast, the softer tone in her novel published after her return can be interpreted as an acquired appreciation for Chinese culture. Altogether, Elisabeth von Heyking’s representation of China reveals a strong ar斜坡 发表于 2025-3-27 17:26:37
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http://reply.papertrans.cn/87/8680/867998/867998_36.png人充满活力 发表于 2025-3-28 01:21:36
http://reply.papertrans.cn/87/8680/867998/867998_37.pngInstantaneous 发表于 2025-3-28 05:24:34
Max Weber and China: Imperial Scholarship, Its Background and Findings which Weber’s interest in China was shaped by the German missionary and imperial exploitation of China, factors not typically indicated in the secondary literature and to which Weber himself does not draw attention.毕业典礼 发表于 2025-3-28 10:12:40
http://reply.papertrans.cn/87/8680/867998/867998_39.pngLumbar-Stenosis 发表于 2025-3-28 13:57:27
“What Exactly Is China” in Bertolt Brecht and Hanns Eisler’s , (,)aditional culture in either the text, or dramaturgy, or music. Following Communism’s internationalist ambitions, Eisler imagined his music as a new international proletarian music that was meant to be as representative of Chinese Communism as it was of German Communism. Rather than disavowing the Ch