Judicious
发表于 2025-3-30 09:54:23
A. E. Beagles,J. R. Whitemanologische Thanatologie (vgl. Kap. 2). Inwiefern hat man es hier mit einer . des Todes zu tun, wie das von verschiedenen Autoren behauptet wird (vgl. Walter 1994; Seale 1998)? Ratgeberliteratur bot sich für die Untersuchung dieser Frage besonders an: Nicht nur kann das Genre in den letzten Jahren und
决定性
发表于 2025-3-30 15:00:01
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ensemble
发表于 2025-3-30 18:00:04
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Budget
发表于 2025-3-30 21:46:35
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震惊
发表于 2025-3-31 00:53:09
P. Destuynder,M. Djaoua,S. Lescuree users to create multiplayer games for the browser.Shows yo.Create a fully working multiplayer game from scratch using TypeScript, Socket.IO, and the community edition of Phaser.js. You will achieve amazing feats in the browser without having to install any software. This book teaches you how to us
讽刺滑稽戏剧
发表于 2025-3-31 08:38:09
Manfred Dobrowolskie users to create multiplayer games for the browser.Shows yo.Create a fully working multiplayer game from scratch using TypeScript, Socket.IO, and the community edition of Phaser.js. You will achieve amazing feats in the browser without having to install any software. This book teaches you how to us
激怒某人
发表于 2025-3-31 09:10:27
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omnibus
发表于 2025-3-31 14:04:26
Paul J. T. Filippiproportions in music. It brings the methods of scientific and quantitative thinking to questions like: What are the ways of encoding a message in music and how can we be sure of the correct decoding? How do claims of names hidden in the notes of a score stand up to scientific analysis? How many ways
苦笑
发表于 2025-3-31 20:06:09
G. Geymonat,P. Grisvardd descriptions of the techniques and a computer program, equ.This book shows how information theory, probability, statistics, mathematics and personal computers can be applied to the exploration of numbers and proportions in music. It brings the methods of scientific and quantitative thinking to que
猛击
发表于 2025-4-1 00:54:14
F. Hartmannproportions in music. It brings the methods of scientific and quantitative thinking to questions like: What are the ways of encoding a message in music and how can we be sure of the correct decoding? How do claims of names hidden in the notes of a score stand up to scientific analysis? How many ways