发酵剂
发表于 2025-3-23 13:20:23
http://reply.papertrans.cn/87/8673/867276/867276_11.png
Exhilarate
发表于 2025-3-23 16:10:53
http://reply.papertrans.cn/87/8673/867276/867276_12.png
FOLLY
发表于 2025-3-23 21:50:10
,Performing Loneliness: Vladimir Mayakovsky’s Silent Soliloquy in , (1918, USSR),cholars as ‘largely invisible’ and which ‘can only be exposed to others by oneself’. The soliloquy is thus an apt medium to articulate loneliness. Finally, the chapter briefly assesses the retrospective authorial layer cast by Mayakovsky’s suicide on his role and death scene in the film.
Pelago
发表于 2025-3-24 00:01:22
Re-booting the Self: Ivan Mozzhukhin and Queer Failure in , (1926, France),ng, looping’ as subversive paths to a freer life. Examining Mozzhukhin’s role and performance in this light, through close textual reading, it is striking how the plot’s cyclic web of death, re-birth, re-failure, as well as its reliance on ‘forgetting, losing, and looping’, all depend on Mozzhukhin’
消散
发表于 2025-3-24 02:22:37
http://reply.papertrans.cn/87/8673/867276/867276_15.png
congenial
发表于 2025-3-24 10:24:56
http://reply.papertrans.cn/87/8673/867276/867276_16.png
braggadocio
发表于 2025-3-24 12:16:20
http://reply.papertrans.cn/87/8673/867276/867276_17.png
纹章
发表于 2025-3-24 16:04:13
Book 2021la Negri’s presence in .Hotel Imperial. is analysed with the aid of texts on wartime anxiety. Harald Kreutzberg’s stunning number in .Paracelsus. is examined in the light oftheories of mime and pantomime, arguing for its subversive potential in a Third Reich sound film..
勤勉
发表于 2025-3-24 19:06:12
http://reply.papertrans.cn/87/8673/867276/867276_19.png
背信
发表于 2025-3-25 03:14:16
very with Eureka and load balancing with Ribbon.Route requests with Zuul as your API gateway.Write end-to-end rests for an event-driven architecture using Cucumber.Carry out continuous integration and deployment.Who This Book Is For.Those with at least some prior experience with Java programming. So