Minuet 发表于 2025-3-28 14:50:33

,Nobody Loves a Fat Man: Roscoe ‘Fatty’ Arbuckle and Conspicuous Consumption in the US of the 1920s,lindly mouthing experience’, its ‘infantile desires […] soothed by sweet things, falling exhausted into stupor’ (Bordo, 1993, p. 2). The power of Schwarz’s image, Bordo believes, derives from Western culture’s drive to separate body and spirit, the corporeal and the intellectual; clumsy, gross and d

THE 发表于 2025-3-28 22:07:25

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Exhilarate 发表于 2025-3-28 23:06:52

Consumerism and Its Discontents: Harold Lloyd and the Anxieties of Capitalism,ably leads one to Harold Lloyd, the archetypal boy next door, fresh-faced, neat, bespectacled — in Lloyd’s words, ‘a regular fellow’, and certainly the least grotesque or transgressive of the great screen clowns.’ The very normality of Lloyd’s persona allows his movies to deploy romance not as farce

严厉谴责 发表于 2025-3-29 06:13:35

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发炎 发表于 2025-3-29 09:12:55

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MILL 发表于 2025-3-29 15:26:25

Conclusion, bodies, .. The more pungent or base this materiality is, the more authentic, Kracauer believes; it is little wonder, then, that he adored Chaplin, delighting in the unwashed grubbery (dirty clothes, stinking cheese, filthy ash pails) discussed in Chapter 3. For Kracauer, slapstick’s stock in trade

HAWK 发表于 2025-3-29 19:10:36

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查看完整版本: Titlebook: Silent Film Comedy and American Culture; Alan Bilton Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 clown.c