Counteract
发表于 2025-3-25 07:08:50
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hieroglyphic
发表于 2025-3-25 09:15:00
Richard III,mance. Here, the audience’s relationship with Richard of Gloucester and with the play itself offers almost inexhaustible complexity; the playwright entangles his spectators in their own responses, encouraging and prohibiting their seeing the action as political melodrama.
backdrop
发表于 2025-3-25 15:37:49
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Bereavement
发表于 2025-3-25 17:49:21
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畏缩
发表于 2025-3-25 23:27:52
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骚动
发表于 2025-3-26 02:49:56
Henry VI, Part Two,rave Talbots and the comic relish of Joan’s exposure and condemnation provide enough heroism and laughter to keep the darkness of history from completely engulfing that play. Part 2 in contrast becomes considerably more savage, as Shakespeare fills the unfolding tragedy of Henry’s reign with deaths
Radiation
发表于 2025-3-26 04:40:03
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MAG
发表于 2025-3-26 09:15:41
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粘
发表于 2025-3-26 13:31:06
King John,is statement succinctly describes the early histories: the plays of the first tetralogy and . sardonically deflate the heroics of politics and attain some of their most effective theatrical moments by mocking the rhetoric and ceremony of history.
Modicum
发表于 2025-3-26 17:54:08
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