颂扬国家
发表于 2025-3-23 09:59:25
Camp , and the Burdens of (Stage/Film) History, entertain ideas of performativity as well as sincerity; Shakespeare’s historical tragedies regularly depend upon both. In his dispute with readings that ignore this volatile mixture, Jonathan Dollimore has argued that a Shakespearean playtext such as . is predicated upon what he calls ‘the profound
thwart
发表于 2025-3-23 15:16:50
,Urban Dystopias: Reapproaching Christine Edzard’s ,,espearean utterance. Concentrating on its distinctive relocations, its utopian aspirations and its doubling arrangements, and using insights gained from a specially commissioned interview with the director herself, this essay argues that the film can only be fully appreciated when assessed in its ow
guardianship
发表于 2025-3-23 21:16:49
,Impressions of Fantasy: Adrian Noble’s ,,ed’ creation (stated .), an ‘unmitigated disaster’ (asserted .) and a ‘highbrow pantomime’ (agreed .).. Concluded . ‘Noble still thinks like a primitive’, offers us a reading of the play that is ‘charmless under the camera’s close scrutiny’ and ‘puts the Bard’s cause back a hundred years’..
绝缘
发表于 2025-3-23 22:24:59
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Flavouring
发表于 2025-3-24 06:10:27
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AUGUR
发表于 2025-3-24 09:14:51
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大猩猩
发表于 2025-3-24 13:18:49
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Ledger
发表于 2025-3-24 17:43:55
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争吵
发表于 2025-3-24 22:16:44
,The Postmodern Theatre of Paul Mazursky’s ,, fresh and beautiful’ and ‘one of the liveliest movies of the year’, others, especially those reviewing the film for more select outlets, described . in ways that set it off invidiously from its model. John Simon, for example, saw Mazursky as ‘tearing Shakespeare to rags’, and Stanley Kauffmann felt
fidelity
发表于 2025-3-25 03:13:32
Camp , and the Burdens of (Stage/Film) History, thematized in several art-forms. One hallmark of postmodernism is a detached playfulness with history: wry quotations of the past appear as isolated architectural elements, as recontextualized figures in visual works, as characters haunted by lost (but tantalizingly ‘present’) connections with sour