表状态
发表于 2025-3-23 12:08:16
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ETCH
发表于 2025-3-23 15:13:16
Prologue: Between Romance and the Realnd of the powerful ambivalence of ‘taboo’, the Venice plays are about the loss of power, or, rather, about the transformation of its meaning. With the disappearance of the ‘sacred’, power loses its capacity to exalt and becomes the merely pragmatic power of the prince and the merchant. Such power is
高脚酒杯
发表于 2025-3-23 19:14:37
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边缘
发表于 2025-3-23 23:16:33
Epilogue: ‘This is Venice’law and commerce and political expediency. . dramatizes law as the constituent structure of Venice, . the expediency and negotiation which is both controlled by law and made necessary by it if commerce is to be effectively carried on. Law and expediency are, in a sense, opposites. The Duke in . expr
直言不讳
发表于 2025-3-24 05:40:44
Prologue: ‘The Histories’ and History society they both address: so the two related terms ‘English’ and ‘history’ appear to define with sufficiently lucid certainty both the generic and the sociological categories to which these plays belong.
eustachian-tube
发表于 2025-3-24 08:41:40
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Hearten
发表于 2025-3-24 13:00:25
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正式通知
发表于 2025-3-24 15:26:44
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Spirometry
发表于 2025-3-24 22:55:33
King Learf these two readings, both equally justifiable and equally controvertible from the various texts of the play, . has given rise to those uneasy charges of anachronism that have always hovered around . with peculiar persistence. Tolstoy put it most directly: ‘The action of . takes place 800 years B. C
思乡病
发表于 2025-3-24 23:25:37
Macbethrficial trappings, distracting us from the inner body of truth which should be our real concern. The play, we are told, penetrates ‘to the lower levels of the self, for which social, religious and political life provides only an outward garment’.. ‘It is not “about Scotland” as . is about Rome or .