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发表于 2025-3-21 19:33:15
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闯入
发表于 2025-3-22 00:14:55
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commodity
发表于 2025-3-22 01:05:58
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ungainly
发表于 2025-3-22 04:35:45
https://doi.org/10.1057/9780230372917poetry; Renaissance; William Shakespeare; British and Irish Literature
indignant
发表于 2025-3-22 10:56:02
The Young Friendchapter, it can be seen that the first 17 sonnets have real trouble defining a stable position for this figure. I will now investigate the consequences of this problem for the rest of the sonnets to or about the young friend.
Obligatory
发表于 2025-3-22 13:31:10
The ‘Dark Lady’ Sonnetswith the dark lady herself, and it should be obvious by now that my analysis will depart from traditional criticism in various ways. The conventional position is exemplified by A.L. Rowse. He begins his chapter on this figure in his book . as follows:
壕沟
发表于 2025-3-22 17:27:45
Book 1997ich other writers use the form. It looks at how the poetry fits into the historical situation at the time, with regard to images of the family and of women. Its exploration of these issues is informed by much recent work in critical theory, which it tries to make as accessible as possible.
APRON
发表于 2025-3-23 00:58:20
ways in which other writers use the form. It looks at how the poetry fits into the historical situation at the time, with regard to images of the family and of women. Its exploration of these issues is informed by much recent work in critical theory, which it tries to make as accessible as possible.978-0-230-37291-7
我没有命令
发表于 2025-3-23 02:45:34
Beginnings: Wyatt and Surreyny different ways, although it may start out with what seems a close relationship with the continental European tradition of courtly love. This, of course, was an important aspect of Petrarch’s poems, the model for the English sonneteers.
Observe
发表于 2025-3-23 06:48:24
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