镶嵌细工
发表于 2025-3-25 03:31:54
Shakespeare in Practicehttp://image.papertrans.cn/s/image/866187.jpg
Subdue
发表于 2025-3-25 09:07:40
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催眠药
发表于 2025-3-25 14:21:07
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Astigmatism
发表于 2025-3-25 18:55:10
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Climate
发表于 2025-3-25 23:38:48
Introduction,ealth Shakespeare Company and Google’s VR collaboration, . (2019). It argues that digitally intensive performances of Shakespeare allow actors and audiences to test what they believe theatre to be, as well as to reflect on what it means to be present—with a work of art, with others, and with oneself—in an increasingly online world.
不妥协
发表于 2025-3-26 00:19:17
Being There,ed on physical togetherness. By arguing for a fluid rather than binary relationship between in-person and online states of being, it posits that there is no inherent contradiction in the idea of powerfully alive, digitized theatre, though the affordances and limitations of such work require further investigation.
肿块
发表于 2025-3-26 04:25:53
In Practice: Interviews with Two Practitioners,e COVID-19 pandemic. Wyver explores how the screen grammar of filmed theatre changes with delivery method, screen size, and dramatic genre, while Seaton discusses her interest in technology as a tool for interactive presence and surprise. Both address liveness as an experiential quality and the affective dimensions of digital performance.
flourish
发表于 2025-3-26 11:29:01
, and interactivity work in digital performance.Surveys cult.Shakespeare and Digital Performance in Practice .explores the impact of digital technologies on the theatrical performance of Shakespeare in the twenty-first century, both in terms of widening cultural access and developing new forms of ar
礼节
发表于 2025-3-26 12:58:38
Introduction,ok’s focus on digitized theatre broadcasts, intermedial stage work, and born-digital adaptations, exploring an example of . from each category: the broadcast of the stage production starring Benedict Cumberbatch (2015); Annie Dorsen’s avant-garde, ‘algorithmic’ reimagining, . (2013); and the Commonw
血统
发表于 2025-3-26 17:07:54
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