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发表于 2025-3-21 20:08:47
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hypnotic
发表于 2025-3-21 22:55:44
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Defiance
发表于 2025-3-22 03:11:29
,‘An Inconstant Stay’: Paul Muldoon, Seamus Heaney and the Ends of Shakespeare’s Sonnets,ntia Flynn and many others have used it to considerable effect, whether in single poems or across longer sequences. The phenomenon of the modern Irish sonnet has been examined by critics in relation to the fraught Anglo-Irish political climate of the 1970s and 1980s, and Irish poetry’s growing inter
milligram
发表于 2025-3-22 07:38:28
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潜移默化
发表于 2025-3-22 12:13:31
,‘This Rough Magic’: Late Derek Mahon and Late Shakespeare,ishing silence, its author in his early fifties, the return was marked by a preoccupation with the symptoms of belatedness: physical and imaginative decline, destitution, and the desperate hope for regeneration. Throughout this breezily intertextual volume, a particular version of Shakespeare is emp
残忍
发表于 2025-3-22 14:56:16
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积习已深
发表于 2025-3-22 19:04:51
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Efflorescent
发表于 2025-3-23 00:08:46
,‘Filial Ingratitude’: Marina Carr’s Bond with Shakespeare,d jealous in their responses. Marina Carr is different. She is doubly removed from Shakespeare, by her nationality as well as her gender. Perhaps as a result of this double removal, a mixture of admiration, acute awareness of an overweening influence, and the resentment it can give rise to in some c
贝雷帽
发表于 2025-3-23 05:04:08
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Motilin
发表于 2025-3-23 07:54:39
,Performing Prospero: Intertextual Strategies in John Banville’s , against the background of Banville’s overall postmodern intertextual project and the scattered references to Shakespeare’s plays throughout his oeuvre. If most of these references can be categorised as intertextual quotations and intertextual allusions, typically ironic or playful, the more sustain