genuine 发表于 2025-3-23 13:31:11

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狂乱 发表于 2025-3-23 16:17:07

The Actor-Character in “Secretly Open” Action: Doubly Encoded Personation on Shakespeare’s Stageewed or even edited as a “play in performance” or, as the recent Cambridge University Press series has it, as the “play in production,” with particular emphasis on its “theatrical fortunes.” These no doubt are laudable projects, and I am the first to applaud the emphasis on the play’s text as a text

Latency 发表于 2025-3-23 18:41:04

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Perineum 发表于 2025-3-23 23:50:37

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思考才皱眉 发表于 2025-3-24 05:41:46

Arming Cordelia: Character and Performance and colours, Cordelia, Gentleman, and Soldiers” (4.3.0).. According to Alan Dessen and Leslie Thomson’s ., the items “drum and colours” usually indicate “readiness for battle and are part of a show of power.”. As Cordelia’s exchange with the Messenger in this scene suggests, such a military context

榨取 发表于 2025-3-24 10:28:09

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SPALL 发表于 2025-3-24 14:06:13

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不足的东西 发表于 2025-3-24 16:12:19

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Antarctic 发表于 2025-3-24 21:31:28

History, Philology, Performancetook on the meanings of a meeting place for performance; but also as a global vision, whose textual realization was a series of compendia, the first of which was Pierre de Launay’s anthology of European poetry, ...

过渡时期 发表于 2025-3-24 23:28:36

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查看完整版本: Titlebook: Shakespeare and Character; Theory, History, Per Paul Yachnin (Tomlinson Professor of Shakespeare S Book 2009 Palgrave Macmillan, a division