GROG
发表于 2025-3-23 12:45:31
.Zudem werden Kernerkenntnisse aus einer stichprobenartigen Befragung von Top-Managern aufgeführt, die ihrerseits unterschiedliche Erfahrungen in der Kommunikationsrealität von Unternehmen in Familienbesitz sam978-3-658-44197-5978-3-658-44198-2
chemical-peel
发表于 2025-3-23 17:52:45
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浪费时间
发表于 2025-3-23 22:01:35
Introduction, particularly in relation to Shakespearean scholarship and production. Using theorists such as Walter Benjamin and Freddie Rokem, I show how the merging of performance and literary criticism of Shakespeare produces “memorable” results.
incite
发表于 2025-3-23 23:29:35
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过渡时期
发表于 2025-3-24 02:24:52
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Hypomania
发表于 2025-3-24 08:28:09
,Shakespeare Productions in the UK: A Sense of Return—“‘Tis Here, ‘Tis Here, ‘Tis Gone”,attention to the production of . (1938) mounted at the Westminster Theatre in London. Moving from London to Stratford, I conclude by critiquing . (1933, 1934) and . (1934) directed by the Russian émigré Theodore Komisarjevsky at the newly opened Stratford Memorial Theatre.
labile
发表于 2025-3-24 11:02:41
Conclusion: Transnational Shakespeare, Then and Now,rean Sphere,” I consider the globalization and “glocalization” of Shakespeare between 1945 and the present, because it is important to consider the ways in which the “Shakespearean Sphere” has also expanded and contracted in the last 100 years.
粘连
发表于 2025-3-24 15:43:45
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INCH
发表于 2025-3-24 22:07:52
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STALE
发表于 2025-3-25 00:49:11
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