黄瓜
发表于 2025-3-26 22:27:36
Where the Boys Are: Daphne du Maurier and the Masculine Art of Unremarkability,odes of representation. This shift in media did influence the efficacy of portraiture’s symbolic function but, as my earlier discussion of Virginia Woolf’s novel . and Sally Potter’s cinematic adaptation demonstrates, the genre nevertheless continued to play a role in the articulation of gender- and
Exploit
发表于 2025-3-27 04:19:55
The Face in the Crowd: , Common Excess,otential to break free from such confinement. Similarly, both of the twentieth-century novels that I have discussed so far, by Virginia Woolf and Daphne du Maurier, adapted this Victorian visual symbolism to represent forms of stifling authority from their own eras, whether it be defined by race, cl
GENRE
发表于 2025-3-27 05:57:28
http://reply.papertrans.cn/87/8661/866034/866034_33.png
syncope
发表于 2025-3-27 13:07:30
http://reply.papertrans.cn/87/8661/866034/866034_34.png
Melanoma
发表于 2025-3-27 13:52:33
http://reply.papertrans.cn/87/8661/866034/866034_35.png
airborne
发表于 2025-3-27 17:48:07
http://reply.papertrans.cn/87/8661/866034/866034_36.png
negotiable
发表于 2025-3-27 22:26:03
http://reply.papertrans.cn/87/8661/866034/866034_37.png
agitate
发表于 2025-3-28 03:34:43
Book 2004ema manipulated common notions of the visual in order to challenge sex- and gender-based assumptions that marginalized certain people and desires. Addressing authors and directors such as Mary Braddon, Wilkie Collins, Oscar Wilde, Vernon Lee, Virigina Woolf, Daphne du Maurier, Alfred Hitchcock, Otto
演讲
发表于 2025-3-28 08:54:38
2634-6494 re and cinema manipulated common notions of the visual in order to challenge sex- and gender-based assumptions that marginalized certain people and desires. Addressing authors and directors such as Mary Braddon, Wilkie Collins, Oscar Wilde, Vernon Lee, Virigina Woolf, Daphne du Maurier, Alfred Hitch
squander
发表于 2025-3-28 14:14:34
http://reply.papertrans.cn/87/8661/866034/866034_40.png