不自然
发表于 2025-3-25 06:20:30
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上下连贯
发表于 2025-3-25 08:51:04
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Mingle
发表于 2025-3-25 14:37:17
Sublime Objects: the Antinomies of Masculine Sexuality from Fellini to Truffautng for something radically dissimilar. Directors who hide behind a reassuring fantasy screen so as to avoid confronting Woman, or sexual difference, more often than not end up producing in their films the very deadlock that had initially demanded the intervention of cinematic fantasy. In different w
inculpate
发表于 2025-3-25 15:59:04
Ethics of Drive: Beauty and its Enjoyment from Rohmer to Pasolinihe domain of ethics is defined by the endorsement of “headless” enjoyment, that terrifying frontier where all is decided. In the seven sections of this chapter I identify filmic narratives exploring the connection between drive and jouissance. Drive is not only unravelled as a direct endorsement of
accordance
发表于 2025-3-25 23:32:10
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mitten
发表于 2025-3-26 03:02:50
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TAP
发表于 2025-3-26 07:25:39
About Nothing, with Precision: Femininity Unbound from Ophuls to Antonioni85: 54), he hit the right chord: the ultimate aim of his filmmaking is to show how visual representation hinges on a short-circuit between what we see and what we do not see, what we look at and what is already looking back at us. In this section I focus on this short-circuit, or dislocation, discus
AFFIX
发表于 2025-3-26 10:20:11
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Fecal-Impaction
发表于 2025-3-26 12:55:27
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大漩涡
发表于 2025-3-26 19:25:01
Sublime Objects: the Antinomies of Masculine Sexuality from Fellini to Truffautore often than not end up producing in their films the very deadlock that had initially demanded the intervention of cinematic fantasy. In different ways, European film shows that, as a protective strategy against the nightmarish apparitions of the Real, the investment in sublimation does not necessarily pay off.