Permanent
发表于 2025-3-23 10:18:46
From West Berlin Without Love: The Magazine , and the Promise of Revolutionn, who would also serve as editors in the ensuing years, the magazine published early works by Elfriede Jelinek, Sarah Schumann, Silvia Bovenschen, Gisela von Wysocki, and many others who would become distinguished writers, artists, and theorists over the course of the subsequent decades. Neither in
acrimony
发表于 2025-3-23 16:20:20
Racial Seeing and Sexual Desire: , and protagonist is objectified by white German men and women, . takes an implicit approach in its critique of racism: The film emphasizes the relation of race and visibility by presenting three plotlines that evolve around couples with one blind partner. In contrast to .’s focus on African American expa
新陈代谢
发表于 2025-3-23 18:58:30
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悦耳
发表于 2025-3-23 22:28:10
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Baffle
发表于 2025-3-24 06:19:20
The 1970s in Retrospect and the HIV/AIDS Incision: Re-reading Napoleon Seyfarth’s , (1991)f the 1970s in queer history, if one takes literary and historical accounts into consideration that were produced later. The article places Napoleon Seyfarth’s autobiographic novel . (‘Pigs must be Nude’, 1991) in its centre, which presents three different decades (1960s–1980s). The interpretation a
Dungeon
发表于 2025-3-24 09:51:15
Racial Seeing and Sexual Desire: , and essay analyses how conceptualizations of Blackness have changed throughout the four decades that lie between their productions. It considers the emergence and success of the Black German Movement, which started in the 1980s, to be one important factor for this shift in addressing race and racism in Germany.
小步走路
发表于 2025-3-24 14:38:36
How to Remember Invisibility: Documentary Projects on Lesbians in the German Democratic Republic asanalysis of these two books as micro-archives of feelings offers insights into the emotional aspects of lesbian lives in East Germany during the 1970s. These insights radically question the hegemonic narrative of the ‘legendary 70s’.
食品室
发表于 2025-3-24 17:00:11
The 1970s in Retrospect and the HIV/AIDS Incision: Re-reading Napoleon Seyfarth’s , (1991)eyfarth’s autobiographic novel . (‘Pigs must be Nude’, 1991) in its centre, which presents three different decades (1960s–1980s). The interpretation analyses the presentation of HIV/AIDS which must be seen as an incision in the text and focuses on the change of presentation as well as on the perception of time.
Defense
发表于 2025-3-24 20:19:49
(r)evolution and the increasingly strong role of user-generated content. The contributions emphasize the vision of the Web as a social medium for content and knowledge sharing.978-3-642-42609-4978-3-642-01891-6Series ISSN 1860-949X Series E-ISSN 1860-9503
光滑
发表于 2025-3-25 00:22:23
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