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The Haptic Eye: On Nan Goldin’s eum commissioned a personal installation from American photographer Nan Goldin.. For eight months the artist was free to wander alone in the Louvre and Orsay museums’ galleries during off- peak hours and encouraged to take a fresh look at the paintings and sculptures.NICE 发表于 2025-3-22 04:59:03
The Peepshow and the Voyeuse: Colette’s Challenge to the Male Gazea paying customer peered to discover scenes depicted through pictures or puppets, often accompanied by storytelling. In addi- tion to their evident entertainment values, peepshows also allowed spec- tators to learn about exotic cultures through scenes illustrating faraway and mysterious lands, suchTruculent 发表于 2025-3-22 10:13:16
The Monstrous Non-heteronormative Formed by the Male Gazes the active one advancing the story, making things happen/’ she explains. “The man controls the film fantasy and also emerges as the representative of power in the a further sense” (20). Roderick A. Ferguson suggests “as it kept silent about sexuality and gender, historical material- ism, along witSPALL 发表于 2025-3-22 14:26:05
Bearing Witness to the Unbearable: Ethics and the Phallic Gaze in e in the audience, over two hundred walked out, and over twenty are reported to have fainted or become physically ill.. A Cannes official attending the premiere stated that “I’ve never seen this at the Cannes festival. The scenes in this film are unbearable, even for us professionals.”. However, thoPamphlet 发表于 2025-3-22 20:31:46
Transcendental Gazes: Pornographic Images of Transmasculinityormal analysis, although its proliferation is at the moment better charted by month rather than by year. The niche pioneered a decade ago by Buck Angel, the original FTM porn star, is burgeoning to encompass numerous other performers, including Dex Hardlove, Billy Castro and James Darling. Studios s表皮 发表于 2025-3-22 22:11:05
“Look Closer”: Sam Mendes’s Visions of White Mener.” This injunction is at the crux of the film and also the subsequent films about masculinity and the family made by director Sam Mendes: . (2008) and . (2009). In these films Mendes . the normal -white middle-class masculinity and the white heterosexual nuclear family — casting a detailed and del羊栏 发表于 2025-3-23 04:11:22
Between the Joy of the Woman Castrator and the Silence of the Woman Victim: Following the Exhibitionud defined the uncanny as “belonging to all that is terrible - to all that arouses dread and creeping horror.”. Amongst the complex of creeping and frightening things, Freud distinguishes a certain quality of the uncanny: “That class of the terrifying which leads back to some- thing long known to us昆虫 发表于 2025-3-23 06:44:16
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