东西
发表于 2025-3-23 13:32:51
,‘I am Alpha and Omega’: By-passing Babel,, its recurrent and specialized use in the cycle drama is remarkable.. It serves to initiate the self-introductory soliloquies of the deity in the first pageants of all four extant cycles, as well as in the second and final Chester plays (. and ., respectively).. In keeping with the Corpus Christi f
appall
发表于 2025-3-23 17:55:13
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paroxysm
发表于 2025-3-23 19:48:41
The Subject of Revenge/The Revenge of the Subject in Elizabethan Drama,upies the centre of this book and why I resist endorsing that text as an epistemological watershed, in keeping with New Historicist/Cultural Materialist narratives of subjectivity. On the one hand, I share the widespread fascination with the play’s sustained exploration, conducted largely through so
Amnesty
发表于 2025-3-23 22:35:52
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Intruder
发表于 2025-3-24 04:31:41
Some Comic and Tragicomic Subjects,ity as tragically coded. I also want to caution against turning a discursive effect into a marker of ‘psychological complexity’ or ‘realism’. A shift of generic perspective may usefully refocus the discourses of subjectivity as such, paradoxically by siting them at the crossroads of two basic formal
制定
发表于 2025-3-24 09:40:39
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热心
发表于 2025-3-24 13:02:27
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dominant
发表于 2025-3-24 18:33:25
(Off)Staging the Female Subject,’ (.. 3.2.48). Conversely, I can locate no such subjectivity in either the male or female characters of, say, . or . — or, for that matter, in Elizabeth Cary’s woman-centred closet drama, ., whose heroine notably soliloquizes self-division, but along neo-classical lines whose intersection marks her
SOW
发表于 2025-3-24 20:36:21
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Harbor
发表于 2025-3-25 01:56:44
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