悲伤我 发表于 2025-3-21 16:48:55

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B-cell 发表于 2025-3-21 23:45:29

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frozen-shoulder 发表于 2025-3-22 02:52:05

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Interferons 发表于 2025-3-22 06:50:11

Nancy Thumimal sovereignty. Yet within a year of the end of the Second World War, in which Irish neutrality had been so successfully asserted, and almost a decade after all monarchical forms had been expunged from the internal institutions of the Irish state, there took place in the Dáil what must surely rank a

VEN 发表于 2025-3-22 12:02:27

Nancy Thumimssage film that takes place during the ‘Troubles’. The script presents two eight-year-old Protestant and Catholic boys from Belfast in the 1970s, who become and remain friends, despite bigotry and violence. Notwithstanding the progressive contemporaneity of the original scenario and its attempts to

不自然 发表于 2025-3-22 16:46:44

Nancy Thumimuctive teleological interpretations and categorization, and both are at the mercy of the vicissitudes of sociological, political, hegemonic, global, historical and economic events and eventualities. Even in cases where certain structural trends of film output are historically identifiable in differe

玛瑙 发表于 2025-3-22 20:09:07

Nancy Thumimpresentations and romanticization of the Irish landscape on screen, or images of violence (Rockett, Gibbons & Hill, 1988), public interest and commentary on Irish cinema is wrought with criticism of ‘false’ representations of Ireland and its people. However, more than any other of these criticized a

BUDGE 发表于 2025-3-22 22:31:06

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伪造 发表于 2025-3-23 03:07:21

uctive teleological interpretations and categorization, and both are at the mercy of the vicissitudes of sociological, political, hegemonic, global, historical and economic events and eventualities. Even in cases where certain structural trends of film output are historically identifiable in differe

Amorous 发表于 2025-3-23 08:43:06

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查看完整版本: Titlebook: Self-Representation and Digital Culture; Nancy Thumim Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 cultur