傲慢物 发表于 2025-3-23 13:04:30
http://reply.papertrans.cn/87/8630/862985/862985_11.png过度 发表于 2025-3-23 17:45:01
http://reply.papertrans.cn/87/8630/862985/862985_12.pngManifest 发表于 2025-3-23 19:53:19
http://reply.papertrans.cn/87/8630/862985/862985_13.png吝啬性 发表于 2025-3-24 02:02:13
The Playng play. Most of Sean O’Casey’s bitter comment on the war trickles away in his elliptical play construction, and the actors of The Irish Theatre, who are playing it, speak wretchedly. Much of the first act is lost in the speaking; all of the second act is verbally unintelligible, and only an occasio重叠 发表于 2025-3-24 03:46:52
http://reply.papertrans.cn/87/8630/862985/862985_15.pngoutrage 发表于 2025-3-24 09:44:00
http://reply.papertrans.cn/87/8630/862985/862985_16.pngInjunction 发表于 2025-3-24 12:52:48
The Play mounted it at the Martin Beck Theatre Saturday evening.. As a play it is less firmly rooted in character than its two illustrious successors, but obviously it is cut from the same pattern. Set in a slatternly Dublin tenement in 1920 it brings to the stage the same garrulous, shiftless people; the s骄傲 发表于 2025-3-24 15:11:48
http://reply.papertrans.cn/87/8630/862985/862985_18.pngForsake 发表于 2025-3-24 22:38:31
http://reply.papertrans.cn/87/8630/862985/862985_19.png供过于求 发表于 2025-3-25 01:42:44
Within the Gatesthat would plunge deeper and soar higher than nervous realism and employ singing and dancing as handmaids of the stage. The man who has at last worked the miracle received his early training, not in the classrooms or ateliers, but on the streets and docks and in the tenements of Dublin. Sean O’Casey