Sediment
发表于 2025-3-21 19:34:24
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gene-therapy
发表于 2025-3-21 21:28:51
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悬崖
发表于 2025-3-22 02:08:03
O’Casey’s Photographic Realism (1929) of the building contractors of Dublin. Now he is known wherever the English language is spoken or read as a dramatist of considerable importance. His plays have brought a new popularity to the Abbey Theatre, as they have brought to that theatre an audience which had never known it before. It was an
NEG
发表于 2025-3-22 06:25:54
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Hippocampus
发表于 2025-3-22 09:20:25
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humectant
发表于 2025-3-22 12:59:35
Sean O’Casey: An Appreciation (1926)of Morality, Patriotism, and the Virtues of Home Life. An attempt by a wild young man to pull down the curtain, followed by the sudden and precipitant descent over the footlights of that identical young man on the point of somebody’s fist. Speeches from the gallery upon Death and Glory and the Immor
窗帘等
发表于 2025-3-22 19:27:00
The Silver Tassie: A Letter (1928) bore in mind that the Abbey owed its recent prosperity to you. If you had not brought us your plays just at that moment I doubt if it would now exist. I read the first act with admiration, I thought it was the best first act you had written, and told a friend that you had surpassed yourself. The ne
洞察力
发表于 2025-3-23 00:14:58
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MOTIF
发表于 2025-3-23 03:27:28
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Endearing
发表于 2025-3-23 07:28:56
Sean O’Casey and the Irish Drama (1934)and O’Neill, worn down to the semi-paralysed skeleton of the fine figure of a man we knew, merely lingered to remind us that Fate . the ironist he always claimed it was. Only O’Casey is left us from the triumvirate of our theatre, and there is much comfort in the realization that his last play ., pu