柱廊
发表于 2025-3-28 14:40:33
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革新
发表于 2025-3-28 19:27:54
https://doi.org/10.1007/978-3-030-48713-3Screenwriting; Script Development; Creative Practice; Practitioners; Production Studies; Screen Studies
不怕任性
发表于 2025-3-28 23:21:03
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取之不竭
发表于 2025-3-29 03:25:40
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全国性
发表于 2025-3-29 11:03:43
Telling Stories About Yesterday’s Hero for Today’s World: The Script Development of the Chilean TV S Manual Rodríguez. This includes the challenge of delving into the psychology of characters who were by present-day standards prejudiced misogynists who mistreated women, ordered murders and fathered illegitimate children whom they ignored, and presenting them as heroes, particularly when the target
偶然
发表于 2025-3-29 14:16:55
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Charitable
发表于 2025-3-29 19:14:23
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使长胖
发表于 2025-3-29 23:16:24
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Urgency
发表于 2025-3-30 01:41:20
So Much Drama, So Little Time: Writers’ Rooms in Australian Television Drama Productiont script development processes in Australian television serial drama operate in several distinct, and often contradictory, ways. Through this case study of creative agency in script development, we contribute to knowledge of the screenwriter’s place in this significant segment of Australian televisi
生锈
发表于 2025-3-30 04:17:29
Subjects of the Gaze: Script Development as Performancels two stories: a fiction, featuring the scenes for a proposed feminist musical, and process, where the author’s reflections and creative history are presented. This ‘fictocritical screenplay’ shows how the creative and the critical, the practice and the process, the author and her characters can sp