决绝
发表于 2025-3-21 18:23:44
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2否定
发表于 2025-3-21 20:57:08
Sarah Phelps on Writing Television: Adaptation, Collaboration and the Screenwriter’s Voice both authorship and ownership that earns her not only great recognition for her work, but greater recognition than her counterparts in the world of film, where the role of the director continues to dominate.
artifice
发表于 2025-3-22 00:57:43
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intention
发表于 2025-3-22 06:25:43
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extrovert
发表于 2025-3-22 11:45:03
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敌手
发表于 2025-3-22 16:28:35
Narrating Voices in the Screenplay Text: How the Writer Can Direct the Reader’s Visualisations of thing which the screenplay is continuously being rewritten. Osip Brik, for example, finds that the screenplay format and its literary language are insufficient means to convey the film, and therefore the collaboration and the work on the screenplay during the film’s development stage is far more important than the text itself (1974: 99).
insecticide
发表于 2025-3-22 17:06:00
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ALIAS
发表于 2025-3-22 21:56:17
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做方舟
发表于 2025-3-23 05:15:05
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没有贫穷
发表于 2025-3-23 05:54:43
t is international in scope, with case studies and analyses from the US, the UK, Australia, Japan, Ireland and Denmark. The book presents a distinctive collection of chapters from creative academics and critical practitioners that serve one purpose: to put aspects of screenwriting practice into thei