催眠药
发表于 2025-3-23 10:34:30
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palliate
发表于 2025-3-23 14:09:37
Unionist Screws: Prison Officers in , (2001), , (2004) and , (2008),ian status and their Irishness by being presented as militarised in some capacity. Three films set in prisons and made in the first decade of the new century will be analysed, . (Blair, 2001), . (Murphy, 2004) and . (McQueen, 2008). Filmmakers’ exploration of the republican hunger strikes at this ti
剥皮
发表于 2025-3-23 19:49:05
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occult
发表于 2025-3-24 02:05:12
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lambaste
发表于 2025-3-24 05:26:35
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懒惰人民
发表于 2025-3-24 09:53:36
Introduction,. This introductory chapter also comments on the methodology used for the research and explores many of the explanations that exist for the cinematic deficit that sees Northern Irish unionist characters presented much less frequently and favourably than their Irish nationalist counterparts.
Credence
发表于 2025-3-24 14:08:39
An Emergence of Unionist Representation in British Cinema,terialisation of the New Irish Cinema movement and the formation of both the Irish Film Board in Ireland and Film Four productions in the United Kingdom. From 1983 the Irish republican hunger strikes can also be identified as having a significant influence on depictions.
带子
发表于 2025-3-24 16:08:52
The Rural and the Repressed: Unionists in , (1991) and , (1997),r a nuanced portrayal of Northern Irish unionist identities. The chapter also comments on how . is an aberration given the complete absence of unionist representation in fiction film in the late 1980s and early 1990s.
Ibd810
发表于 2025-3-24 22:17:31
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Evocative
发表于 2025-3-25 00:58:37
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