发微光
发表于 2025-3-28 14:39:57
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猜忌
发表于 2025-3-28 21:13:46
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惊呼
发表于 2025-3-29 02:06:28
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细微的差异
发表于 2025-3-29 04:44:58
,“How should we remember what happened?”: Cultural Representations of Institutional Abuse in Jim Shed that the recently uncovered skeletal remains of hundreds of babies and children at the Bon Secours Mother and Baby home in Tuam, Galway were at the forefront of his mind while making the film. The film, therefore, implores us to consider it alongside developing events at Tuam, and in the essay I s
灰姑娘
发表于 2025-3-29 11:02:44
Book 2022ow rivals literature as Ireland’s key form of cultural expression. The proliferation ofsuccessful screen versionings of Irish fiction and drama shows how intimately the contemporary Irish cinema is tied to the project of both understanding and complicating (even denying) a national identity that has
MOAT
发表于 2025-3-29 12:06:02
Marc C. Conner,Julie Grossman,R. Barton PalmerOffers twelve original essays on contemporary Irish film adaptations.Features top scholars in Contemporary Irish Literature and Film Studies.Addresses some of the most‘important works that have impact
VEIL
发表于 2025-3-29 16:50:28
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蛰伏
发表于 2025-3-29 22:27:49
https://doi.org/10.1007/978-3-031-04568-4Adaptation; Irish Film; Irish Cinema; Irish Culture; National Cinema; New Irish Cinema
instulate
发表于 2025-3-30 00:10:46
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舰旗
发表于 2025-3-30 07:05:50
Screening Contemporary Irish Fiction and Drama978-3-031-04568-4Series ISSN 2634-629X Series E-ISSN 2634-6303