沉默
发表于 2025-3-25 07:19:54
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四溢
发表于 2025-3-25 09:16:04
Palaeontology: Monsters from Lost Worlds, late 1990s. This chapter analyses factual entertainment and television documentary programmes on palaeontology with a particular focus on the representational traditions of palaeoimagery. Campbell explores how traditions within natural history films, such as the ‘blue chip’ series of David Attenbor
lattice
发表于 2025-3-25 15:13:19
Archaeology: Ancient Secrets and Treasures,ary television. This chapter focuses on trends for generic hybridity in archaeology programmes using game show, true crime and drama documentary formats alongside well-established documentary formats for depicting the past and producing a distinctive archaeological gaze on television. Campbell conce
令人不快
发表于 2025-3-25 16:34:18
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acclimate
发表于 2025-3-25 20:05:31
Pseudoscience and Popular Beliefs,levision channels, dealing with pseudoscientific topics such as ufology, parapsychology and cryptozoology. Despite being ‘for entertainment purposes only’ the chapter shows how programmes on pseudoscience and popular beliefs regularly draw on the ‘trappings of science’ and the techniques of document
有角
发表于 2025-3-26 02:23:58
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Mumble
发表于 2025-3-26 07:18:24
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FANG
发表于 2025-3-26 11:32:45
Vincent Campbells, we provide an explanation for convergence. Finally, the concept of technological distance is used for signalling bottlenecks and economic waste in regional production. Best performing technologies are obviously more capital intensive and less labour intensive.
火车车轮
发表于 2025-3-26 14:11:14
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挡泥板
发表于 2025-3-26 20:18:29
Vincent Campbellt have been possible. We should like, in addition, to thank Angela Spence for her careful linguistic editing and assistance in co-ordinating the production of the camera ready copy. Lastly, but not least, we wish to express our gratitude for support from our home institutions, and in particular the