MASS
发表于 2025-3-21 19:31:21
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遭受
发表于 2025-3-21 22:23:46
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OUTRE
发表于 2025-3-22 03:15:54
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旧石器
发表于 2025-3-22 06:14:04
Serpentine Lines,s of blue and orange, in whose right hand, raised to eye level, winds a flickering snake reduced to a single line; its head corresponds in form to the figure’s eye. Unredeemed, tragic human existence is the focus of Max von Moos’s work, and the motif of the snake occurs repeatedly in it. The Hamburg
协议
发表于 2025-3-22 08:59:54
sse am Manierismus sind das Thema des BandesDie Schlange als zweiwertiges Symbol und die Schlangenlinie als Form und Medium gehören zur surrealistischen Kultur. Sie verbindet Jackson Pollock mit Max Ernst. Bei Max von Moos steht die bedrohte menschliche Existenz im Zentrum, und immer wieder begegnet
GRACE
发表于 2025-3-22 15:24:38
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DEFT
发表于 2025-3-22 19:56:05
Serpentine Lines, would demonstrate both to himself and to Binswanger as the chief physician that he was once again capable of scholarly work and could be discharged. In his slide presentation he referred to a journey from the distant past, in 1895, which had taken him to various Indian tribes in the southern United States.
Dorsal
发表于 2025-3-22 22:21:55
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泥瓦匠
发表于 2025-3-23 03:28:59
Roman Kurzmeyerections are included on realizations, canonical forms, minimal representations, algebraic design applications, quadratic optimization, identification, large-scale systems, and extensions to multi-dimensional and time-varying systems.978-3-540-53537-9978-3-540-46759-5Series ISSN 0170-8643 Series E-ISSN 1610-7411
Interdict
发表于 2025-3-23 08:33:12
Roman Kurzmeyersubject. Employing a coherent conceptual framework, .Implicit Objects in Computer Graphics . .addresses the role of implicitly defined objects in the . .following parts: mathematical foundations of geometric . .models, implicit formulations for the specification of . .shapes, implicit primitives, te