Host142 发表于 2025-3-25 03:32:57
http://reply.papertrans.cn/87/8607/860691/860691_21.png绊住 发表于 2025-3-25 09:08:34
is of poetry and prose by authors like Vikram Seth, Kamala Das, and Neel Mukherjee, and films from Bollywood and beyond, including Onir‘s .My Brother Nikhil .and Deepa Mehta‘s .Fire., Oliver Ross argues that an initially Euro-American "homosexuality" with its connotations of an essential psychosexua的阐明 发表于 2025-3-25 12:12:05
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http://reply.papertrans.cn/87/8607/860691/860691_24.png切掉 发表于 2025-3-25 23:38:30
,Contradictions or Syncretism? The Politics of Female-Female Desire in Deepa Mehta’s , and Ligy J. P beginnings of a public dialogue surrounding lesbianism in the historical moment of the film’s release and dissemination in late 1998 and early 1999, which was marked by acrimonious debates surrounding its representation of Female-Female desire. Yet affirmations of the national significance of ., wh鄙视 发表于 2025-3-26 04:10:20
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,Communal Tensions: Homosexuality in Raj Rao’s , and Neel Mukherjee’s ,longed separation. There appears to be an inversion of the inequities of power when romantic relationships straddle differences in age, class, and caste, but the tone is not celebratory. Implicit in the hyperbolic description of Yudi’s “speechless” reaction of “joy” and “tears” is a critique of his象形文字 发表于 2025-3-26 10:27:33
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http://reply.papertrans.cn/87/8607/860691/860691_29.pngSuppository 发表于 2025-3-26 20:05:20
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