欢乐中国 发表于 2025-3-28 14:59:50

Human Document or ,?hey were scrutinizing. Critical thought generally operated through such binaries as life/fiction, and texts designated as human documents were assumed to be based on “raw reality” and “genuine experience” rather than fantasy and imagination. As the polemic between Khodasevich and Adamovich demonstra

过份 发表于 2025-3-28 21:24:37

“A Shared Homeland for All Foreigners”: The Paris Mythinked to the city’s propensity for universal estrangement. In his study of the Paris mythos, Karlheinz Stierle argues that the urban metropolis renders the very notion of stranger irrelevant, “because everyone is a stranger there,” the exotic visitor and native alike.. In the 1920s, when diverse and

导师 发表于 2025-3-29 01:01:54

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cataract 发表于 2025-3-29 06:01:30

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antidepressant 发表于 2025-3-29 08:16:25

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Flu表流动 发表于 2025-3-29 14:38:05

Art Deco Fiction: Literary Reflections on the Seventh Artnd created an unprecedented challenge to artists who still conceived of their trade as a sacred ritual. Among all the arts, literature was possibly most vulnerable to the pervasive acceleration of life, the insatiable desire for entertainment, and the all-consuming celebration of the physicality of

充满人 发表于 2025-3-29 18:31:29

Anthologizing the Jazz Age: Gaïto Gazdanov’s ,arguably the most detailed reconstruction of the Art Deco aesthetic code in the writing of the Russian diaspora. Although the final version of the novel came out only in the 1940s, its original conception dates to the early 1930s, and the project apparently occupied the author throughout the pre-war

NAVEN 发表于 2025-3-29 21:06:43

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橡子 发表于 2025-3-30 03:19:41

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猛烈责骂 发表于 2025-3-30 04:52:11

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查看完整版本: Titlebook: Russian Montparnasse; Transnational Writin Maria Rubins Book 2015 Maria Rubins 2015 Russian Montparnasse.interwar literature.modern Europea