STRI
发表于 2025-3-21 18:25:11
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outer-ear
发表于 2025-3-21 21:30:07
Eugen A. Meierth European interest in preservation and restoration, did, however, lay the foundation for protecting heritage as a value in itself. Thus, even though restricted to national monuments, the preservation movements of the nineteenth century initiated the discussion that would lead to making national ar
Compatriot
发表于 2025-3-22 01:50:43
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MERIT
发表于 2025-3-22 05:20:57
Eugen A. Meier 2010), Wilde’s . (Vaudeville Theatre, 2010–11) and Boucicault’s . (National Theatre, 2010) continued to be popular. Edward Fox was touring his one-man show about Anthony Trollope, . (Riverside Studios, 2010), Out of Joint produced a new play about Dickens at Hampstead Theatre and Shared Experience
顾客
发表于 2025-3-22 12:18:18
Eugen A. Meieromething profoundly English to the English about themselves, and thus he can be seen as a critical lynchpin, linking national character, our Victorian past and our commercial present.. Dickens adaptations have certainly featured heavily in the overall representation of the Victorians in theatre. Eve
使人烦燥
发表于 2025-3-22 15:48:46
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脾气暴躁的人
发表于 2025-3-22 20:23:48
Eugen A. Meiers broader, and includes cultural practices such as festivals and religious celebrations as well as other elements of heritage that are more difficult to catalogue, such as ‘continuing to work the land,’ ‘the rural landscape,’ or ‘our local water supplies.’ In addition, this chapter analyses various
cartilage
发表于 2025-3-22 21:40:40
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Certainty
发表于 2025-3-23 04:23:24
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Cupidity
发表于 2025-3-23 05:34:56
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