Denial
发表于 2025-3-21 19:18:37
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interrogate
发表于 2025-3-21 23:15:21
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栏杆
发表于 2025-3-22 03:50:41
Dramatizing the Female Prince: Virtue, Statecraft, and Virginal Wives,es, the most radical challenge to that construction can be found in plays where the emphasis is on government as an androgynous moral and intellectual activity Between 1644 and 1689, seven plays dramatize the reality of a female capacity to rule with intelligence and patriotism: Racine’s . (1666), B
碎片
发表于 2025-3-22 07:46:02
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sinoatrial-node
发表于 2025-3-22 10:14:28
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SCORE
发表于 2025-3-22 15:38:31
Conclusion,e of sovereignty as male and its alignment with the equally prevalent understanding of certain moral and intellectual qualities or virtues as male. In sum, there is a tendency, it seems to me, to emphasize how female rulers operated in order to fit themselves into existing frameworks of male sovereignty.
拒绝
发表于 2025-3-22 20:01:30
The Power and the Fury, or the Politics of Representation in Drama,and, I would argue, hence propagate) the well-worn association of women, power and disorder—a constant in Western thought and one firmly embedded in the legal and political discourses of the Early Modern period.
充足
发表于 2025-3-22 22:08:36
Book 2016In this second volume, Configuring the Female Prince in Seventeenth-Century French Drama, Conroy analyzes over 30 plays published between 1637 and 1691, examining the range of constructions of queenship that are thrown into relief. The analysis focuses on the ways in which certain texts strive to ma
屈尊
发表于 2025-3-23 02:38:15
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有恶意
发表于 2025-3-23 05:42:42
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